![]() MoMA licenses archival audio and select out of copyright film clips from our film collection. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). Pop Art and PhotoComment on works: realism resurrected his reputation. With the emergence of Abstract Expressionism in the 1940s, Hopper's work was seen as illustrative and obsolete. One of Hopper's most well known works is a poignant portrayal of urban alienation, "The Night Hawks" (1942). ![]() His landscapes also evoke a similar haunting loneliness. By 1925, Hopper began to develop his signature, where the focus is on only one or two solitary figures often consumed by vast outdoors spaces or cramped city streets. Hopper continued to work as an illustrator, garnering more critical and commercial success with it than painting, although he loathed this work. His painting from this period and soon after reflects the influence of "plein air" painting and Impressionism. In 1906, Hopper worked as a part-time illustrator, but by autumn of that year he went to Paris to study the work of European artists. In 1900, Hopper studied portrait and still-life painting with William Merritt Chase, but he preferred to take classes with Kenneth Hayes Miller and Robert Henri. Hopper was one of the premier Realist painters of the 1930s and 1940s.
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